What Makes One Function Band More Expensive Than Another?

This is a question I get asked a lot. The UK Alliance of Wedding Planners asked me to write a guest blog post for them. This seemed like a great question to cover as I get asked it a lot by wedding planners as well as private clients. It was a two parter so take a look at part 1 and part 2 here

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Is a function band ‘professional’ just because you pay them to perform?

Well, there’s more to being professional than simply taking money for your services. Wikipedia defines a professional as “someone who is paid to undertake a specialized set of tasks and orchestrate them with uncommon skill”. This is all well and good and when you book a set of professional musicians you expect them to live up to this ‘billing’. In a client facing service based business there’s more to being professional than this.

In our experience the event planner has expectations of the bands professionalism on a wider scale than just ability to play well. More boxes need to be ticked. Client facing experience is key. Experienced and ‘professional’ musicians should conduct themselves impeccably in front of the client and client’s guests. Ability to be able to adapt to a changing event schedule is a must. The words ‘We need you on in 3 minutes’ shouldn’t phase a professional when they had anticipated another 30 minutes to prepare themselves.

Away from the setting of the event itself a professional band leader will be able to deal with a ‘dep’ situation with ease. A last minute drop out of a band member due to illness should be easily dealt with as the pro band leader will have a contact network of experienced musicians who can stand in at short notice. Moreover the pro band leader has set up his band’s infrastructure to deal with ‘deps’. Experience has taught him that having contingency plans are part of being a professional band leader.

So I think the answer is NO to question posed as the title of this post. Expectations of the client should be higher and band leaders and musicians need to compete for business and add value at a level not seen before. Value from professional function bands not only comes from their ability to perform and take an event to ‘another level’ but also from their ‘client facing professionalism’ as outlined above.

 

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The Unseen Costs of Professional Function Bands – Part 2

In order for a band to grow and develop their repertoire, they need to invest in new arrangements, and the performance. Just like any product in a competitive market place professional function bands need to continually find new ways to differentiate themselves and better their offering.  In many cases new musical arrangements come at a cost. If the bandleader takes on the job himself then time spent working on new arrangements is time not spent earning elsewhere. As the modern day musician must develop multiple revenue streams to make a living, time really is money. Moreover new arrangements and the development of any band require rehearsals. Again the time factor is at play here.

If fees continually looking to be lowered it is certain that one or more of the above elements will suffer. If a first class professional function band is to maintain its status and offer the quality fit for their target market, fees can only be negotiated to a level fitting that market place. Lower than that and it is up to the band or its representative to make a call on whether they will suffer a lowering of standards by taking the booking and is it worth it in the long run. In our case we know our market and where we position each of our acts. We are happy to negotiate and will always offer the best value for our clients. Being certain our each acts quality, value and long term strategy for development is key for us when making a call on the negotiated booking fee.

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The Unseen Costs of Professional Function Bands – Part 1

In the current economic climate prospective clients have rightly become ever more value conscious. Wanting to see the band live before booking and have the ability to ‘touch’ and ‘feel’ what they are paying for has become the norm rather than the exception in the sales process.  Ultimately the question of ‘why does the band cost what it costs’ is one that we find having to be answered more and more.

The market of course decides the fee of any live band. Demand and supply tussle and ultimately decides the bands fee and sorts the wheat from the chaff. There are further hidden costs at play here that influence demand and supply that are not always understood by prospective clients and need an explanation.  We always like to quote an all in fee for our bands and ultimately absorb the costs of travel and accommodation if needed.

This only really scratches the surface though. A professional function band must have a fully functioning, reliable quality PA system. In a competitive market place we believe this must be offered as standard. The upkeep and maintenance of a professional standard PA comes at a cost. Loading in and out the gear from venues week in week out takes its toll on the equipment. Maintenance is essential and can, over time be costly. A further not insignificant cost is the running and maintenance of the tour van – servicing, tax, parking permits and not to mentioning the ever rising cost of fuel all add to the continually stretching budget. Quality professional musicians come at a price. The standard of any bands performance comes directly from those on stage. While the best musicians have had to feel the squeeze as well the time does come when the bottom line is reached. At that point quality will suffer as the best won’t be available at the fees being offered to them.

In Part 2 of this series we’ll take a look at some of the other hidden costs of running a professional function band.

 

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Dispelling the Myths of Professional Function Bands – Part 3

“The client has no right to choose songs for the bands set list”

This is simply wrong.  It’s vital that client’s receive value for money in all areas of booking a live band. Giving them the option to pick and choose songs they would like to hear is as important as giving them the unquestionable choice of what time they would like the band to start performing.

Finding the balance between what the client wants played and what the band knows works can be a difficult one to strike. Experienced professional function bands should have an understanding that they work in a client facing industry and that it’s vital they do their very best to accommodate the choices and requests of their clients.  In our experience clients don’t tend to come up with lists of obscure choices but ones that the band would have played anyway, making the balancing act an easy one for the band. Any choices that are so obscure that they’ll plainly spoil the flow of the set need to be dealt with in professional manner by either the bandleader or bands representative explaining to the client why one or two of their choices won’t work when put into the wider context of the rest of the set list.

Moreover great function bands will have in-depth experience in being able to modify their intended playlists during the set, should the need arise ie they’ll ‘read the room’ and react accordingly.

It is vital bands gain the trust of their clients and this starts from the point of enquiry. If trust is gained between the clients and the band, the band has the ability to make the right song choices for their set benefiting the event as whole .

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Dispelling the Myths of Professional Function Bands – Part 2

“You have to see a live band before you book them”

This is a no brainer, surely.

Why would you NOT see the band before they show up at your event? You want to be able to get a sense of their style, their performance, their sound. You want to know what you’re getting for your money.

Well yes, but also no.

As event management and party planners become more high profile the demand from clients to have something fresh, exciting, different and unique might be forcing you to plan without your safety net. Instead of relying on old contacts, you might find the need to explore new ones, and unfortunately showcasing a live act isn’t always going to be possible. If they’re high in demand, for example, they could be on the road every weekend and you’ll likely be at an event. Public venues to showcase function bands are few and far between these days as licensing laws are tightened and budgets cut. In pushing the boundaries of what you offer you might have to take a few risks. But this is a risk that can be managed. Use your networks, new and old, to make sure you know what you’re getting.

  • The quality of the media. A fully professional band should have great quality audio and video. You should be able to see it on their or their  website or request a DVD which in turn you can present to your client.
  • Testimonials. Bread and butter in our business. Other event managers you know or have worked with may well have worked with the band before. Ask around and more importantly ask questions. Like minded previous clients will be able to offer an honest appraisal. The bandleader or their representative should have a plethora of previous clients they could put you in touch with. If not, alarm bells should start to ring.
  • Social networks. If someone’s had a great night, or a bad one, the likelihood is the first thing they’ll do is go on Twitter or Facebook. See what fans, or critics are saying about the band online. First point of call is the bands Facebook page…
  • Chat to the bandleader or their representative. Part of their job is to instil you with confidence and tell you about their ability to make your event great. However, trust your instincts. Do you feel there might be a lack of experience? Do they “get” what you’re looking for and the questions you’re asking? Don’t be afraid to think that you just don’t gel so look elsewhere.

 

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Dispelling the Myths of Professional Function Bands – Part 1

Musicians are real perfectionists and they want each show to be better than their last. That’s exactly the same as what you, as an event manager, wants as well.I get asked a lot of questions about how bands prepare in the run up to an event, what they’re expected to do, and what they might not like to do. After working with live acts for hundreds of weddings, conferences and parties, I wanted to dispel a couple of myths.

“A band won’t play if a avenue has a noise limiter installed”

This might be true if it’s not an experienced act, but there’s no way a professional band would throw away a gig on the basis of a piece of technology. That doesn’t mean there’s not a debate raging about their use and the best way to deal with them. A noise limiter works by monitoring the sound being played to ensure it doesn’t go over a particular level. Increasingly, a noise limiter is becoming part of a venues entertainment license, particularly if they are based in a residential area. If the sound goes over a set number of decibels, usually around 90, it cuts the sound.There are a couple of ways an experienced band will be able to troubleshoot to minimise its impact. The location of the noise limiter will have an effect on its sensitivity so a band will need to know where it’s installed.  The band, or their sound engineer,  will need to know the level it’s set at as well. The style of music that is being played will have different restrictions to worry about. A jazz band, for example, with peaks in volume levels from a horn section is going to have to work a lot harder to make sure they control their noise and don’t trip the limiter as opposed to say a string quartet.

“A band will need to have a soundcheck every single time they play live”

Again, not necessarily true. Every venue is different. You know that better than anyone. So do bands. A soundcheck is a good way of helping a band trouble shoot and get used to the room acosustics, the PA or any other equipment at the venue. A lengthy soundcheck however isn’t always possible and not always needed. Often, what an experienced pro function band will need is simply the opportunity to check their on stage levels and front of house levels.  A professional band knows their own sound and while each function room is different they’ll often be able to just “line check” and then make any necessary tweaks during the first few songs. It’s not a perfect situation but one that can be a necessity dependent on the event schedule and running order.

“Bands are so rock and roll. They like surprises”

The one thing that unites the really experienced musicians is their dislike of surprises but their ability to deal with them. From the practical side of where they’ll park to unload their gear and the get in to dealing with troublesome room acoustics to dealing with an even more troublesome ‘tipsy’ guest an experienced band knows even one performance can be fraught with complications. So it’s best to ensure any other issues are kept to a minimum. A band likes to know if the running order has changed so they know when they’re due on stage. An experienced band will roll with the punches but good communication and keeping them informed will help a band feel more confident and involved in the event, which leads to a better rapport and a better performance.

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